Category Archives: Blog

Kristy Bishop Studio Tour

This was my first year on the Saugerties Artist’s Studio Tour and it was a great experience. My new landlords, John and Angela Morano own what I call the “Little Yellow Van Gogh House” at 147 Market Street, Saugerties, NY. Of course, I am not in the same league as Vincent, but I am reminded of his “studio of the South” which was based in his rented Yellow House in Arles, France around 1888. He had the dream of artists coming together and supporting one another’s work in that house. John and Angela support my efforts of teaching young and older artists in my studio and being on the tour. I enjoy the space where I live and work and it is easy to keep it clean – no paint anywhere but on the canvases.

Support is a good word to use concerning the art tour. Most of the thirty-four artists met every month at the Senior Center to encourage each other in the venture of the annual event. Opening a studio to the public is an awesome task. Most studios are set up for work, not exhibition. Finding wall space is a challenge for a multitude of paintings so my show spilled out into the back yard. (I have not had a yard since living in my childhood home in northern Maine.)

I knew about 15- 20 people who came here over the two days. More than sixty people were new to me and everyone was complimentary. Even a couple of women who were steadfast abstract enthusiasts took time to view my representational work and made me feel encouraged to continue my pursuit. (My available abstract “Theory of Everything” is currently on exhibition at the Arts Society of Kingston until Aug. 26, 2014.)

One man was moved to tears when he viewed my “Aerial View of the Hudson Valley” award-winning pastel of Palenville from a plane. His family has lived in the Hudson Valley for 400 years or more. This is a dream of an artist – to have someone so moved emotionally by a work of art  that they can express it to us in some manner. Certainly, we artists employ every bit of our own emotion as we work on it.

I received an email from the woman who bought my pencil drawing “Fab Four” four sets of eyes of the Beatles. She expressed how much she is enjoying the work of art. This means a great deal to me! (And of course, “Big Pink” is in an honored place in the Boolukos home, I am told!)

Most of us artists spend a tremendous time alone in the studio – working- and we may spend a couple of hours at an art show where our work or a friend’s work is being displayed. The idea of spending eight consecutive hours speaking about our work (10 am – 6 pm for two consecutive days on the art tour) was a bit daunting at first. When I am not painting and /or teaching, I am writing about it – another job that requires alone time and a quiet atmosphere. Since I am shy by nature, I joined the Toastmasters Club in 2008 to help me verbally  express how I feel about art and to feel more comfortable meeting new people.

Teaching art is whole different matter. My focus is to share with another person the tremendous joy that there is in creating something beautiful. My classes are small (between 3 and 5 people at one time.) I used to teach 25 – 30 people at one time at the Community College and I felt as though I couldn’t connect with each individual as I can now.

I am very grateful to everyone who took the time to visit my studio and to those who bought art work. It makes me happy to know that the work has gone to good homes!

Conversation Piece

George Boolukos is the type of person that wins your heart the minute you meet him. The same description fits his wife Maria and their three children. In them, you find a variety of Saints.

A few weeks ago, I came out of a dollar store in Kingston and found a Hot Pink Cadillac, my favorite year 1959, parked with a man at the wheel and three children in the back seat. I asked him if I could take a photo of his car. He jumped out, told me to get in the driver’s seat and he would take a photo of me. George is a man with a big heart!

From those photos, I devised four paintings that are “out of the box” for me…literally since two are painted on Masonite open-backed boxes 11″ x 11″ front & 2″ wide from the wall.

I emailed photos of the paintings to George and invited him and his family to attend two art exhibitions where his “Big Pink” was featured in paintings. He arrived with her in all of her glory.

At the first show, a woman crashed her bicycle against the curb as she was studying “Big Pink” instead of the road before her. George picked her up from the grass and she was fine…perhaps she had one too many drinks at the art show. Also, Big Pink refused to start when it was time to leave and she was guzzling fuel as if there was no end to the source.

When Big Pink was ready to go, George gave me a ride in her. She roared down Main Street in Saugerties with the flair of a pink elephant. Heads turned, hands waved…I felt like a celebrity as I reached for my dark glasses…knowing all the while that Big Pink was the star of the show. I was just an artist trying to copy her and George was steering her in the right direction.

About George…his personality is generous, trusting and loving. When you meet a “saint” you know that you are safe in his or her presence. George has an artistic spirit, too. He thinks faster than I do and I love the photo compositions that he arranges. I look forward to a long and rewarding friendship with the Boolukos family. At my studio sale, they became owners of two paintings of the car (pictured here.) God does the unexpected…Big Pink started a conversation and look where that talk took us!

Art Lessons at Age Eight

My maternal grandmother, “Grammy” was instrumental in guiding me in the direction of being an artist. She pointed out to my mother that I traced the designs on her flower print dress with my right index finger when I was a baby. Being the first girl to arrive in the George and Kathleen Bishop family in 1951 must have been an excitement for the flower-loving women. Already, Jerry, (9) and Hollis (7) were camping with their Dad and complying with  the male-orientated country living agenda in Northern Maine. A baby named “Kristy” had spotted design and was fascinated by it!

Grammy and Mom appreciated art. “Be sure to get art lessons for Kristy as soon as she starts school,” Grammy reminded Mom. Could Grammy have had an inkling that she would not be around to make sure that it happened? Regardless, Mom kept her promise and delivered me to Bessie Higgins, a professional oil painter in Presque Isle, Maine when I was eight years old. It was after Grammy passed away from a fierce battle with cancer. Higgin’s studio was the porch of her home, located 10 miles from our home in Fort Fairfield. She was an accomplished artist who had made her name by getting her artwork juried into shows in Boston, Ma. on a regular basis. After enjoying the smell of oil paint and turpentine that emanated from her studio, I was shown the work that would be shipped out for the next show. This is where I should be, I thought. No more tap dancing lessons in P.I. with Celeste or even ballet that I admired from a distance. My younger sister Vicki and I would sample it all and decide which direction we would take. Or…would we move along with  the whims of our fanciful mother? (Side Note:  When she took us to the photographic studio for pictures of us – the photographer would ask if he could photograph her! I don’t doubt that this happened – she was beautiful, had style and the money to promote it.)

My mom kept books. Not the financial kind in the early days – scrapbooks. Everything noteworthy had to be kept for prosperity…so all my drawings and paintings were glued or stuffed into 14″ x 18″ scrapbooks. My art teacher was pleased with a portrait of a horse in colored pencil and the portrait of Elizabeth Taylor (subjects I had chosen) but I wanted to paint in oils…that delicious smell that consumed her studio and the brushes I studied in awe. They stood at attention in containers beckoning me to use them.

I was told that I had to draw first, use charcoal, colored pencil, and watercolor before I could advance to the “promised land of oils.” All of this I did until one day I was given a photo of a woman’s face in a magazine. “Draw this, ” she said. I produced the  best drawing that I had ever drawn – it looked exactly like the woman! “Today, you will learn how to use watercolor, ” announced Mrs. Higgins.

She mixed the watercolors for me and told me what to do. As I applied it to the paper within the lines of the feminine face. The color and the value were much darker than the woman’s complexion and I was startled to say the least.  I was down right horrified! My drawing was ruined…I told my mother that I didn’t want to go back to Mrs. Higgins for anymore classes!

As an art teacher today, I wonder if Mom’s decision was correct in listening to my complaint about one art lesson that failed. (I still have the disastrous painting that was not completed.) In High School, my mom would let me skip school to stay home and paint whenever I wished  – which was often during my senior year. “I feel  sorry that you don’t like to go to school – It’s such hard work!” she sympathized. (In the past, she had told me how she struggled with the college course in high school.) Over and over, she would write notes to the principal saying that I was sick… until the guidance counselor decided that just maybe I wasn’t sick so much and told me that I wouldn’t graduate if I missed anymore school. His ploy worked. It was true that I had worked very hard to maintain a high average all through high school in hopes that I would be nominated for the National Honor Society but that was dashed when I was caught letting my friend copy my homework for Geometry class…we both were disqualified as a result. I had invented a new theory/answer and I was not going to let my friend take the credit for it when she was called upon to write it out for the class at the front of the room…she didn’t understand it, anyway – so I explained it to the teacher. Mr. McLaughlin was stunned and full of praise for me…but…still, he was correct in sharing our poor moral judgment with the other teachers.  My friend and I both regretted what we did. We paid the price for the mistake by not getting nominated.

All of the high school students took an aptitude test to find out what career was best for each one. Mr. Willette, the guidance counselor, showed me the chart afterward. The graph line for art started from the left side of the page and was drawn all the way to the right in red ink while all of the other lines for other occupations were short.  Language skills were better than most but it confirmed the fact that I had believed ever since I was six years old. I was an artist. And it was this propensity for art that proved useful in geometry and algebra classes as well. Although I loved English, I could not read one complete book all through school (a story for another day) …I drew and painted every chance I could get.

The Color Pink

My grandmother, Izah Clark died when I was 7 years old. All the other grandparents died before I was born. I remember sitting in the bathtub of water with the door locked – crying my eyes out after I got the bad news. My mother was on the other side of the door. She tried to comfort me by saying, “Grammy was tired of living…” She was sleeping in our den on the first floor of our house right up until she died. The doctor came to our house to attend to her. She wanted to be with my mother.  I wish I could tell you that I knew Grammy well because she babysat for my sister Vicki (18 months younger) and I often.  All I have are photos of her with us when the family was at our camp at Cross Lake and at our homestead on Forest Avenue in Fort Fairfield, Maine. Grammy never smiled in photos. She had a natural downturn at the corners of her mouth which was present in her youth as well. All I remember is her quiet presence. I am told that her false teeth did not fit properly near the end of her life and an irritation caused cancer in her mouth. She had an operation in Portland to remove it and had skin taken from her thigh to fill the hole in her jaw but the procedure was not successful. She had dementia near the end of her life, too.

“Aunt Josie,” a relative of  Grammy, took care of her after the operation in a huge white Victorian home on Forest Avenue in Portland, Maine before Grammy came to live with us. Mom took Vicki and I to see her often. My two brothers, Hollis, aged 14 and Jerry, 16, stayed home with Dad. It was a three hour drive to Portland from Fort Fairfield which seemed like an eternity to us children. We played “cemetery” on the way there and back. The person with the highest count of animals on her side of the car at the destination was the winner. If we encountered a cemetery, it  would mean that we lost all animal counts up to that point and had to start all over again. We sat in the back seat as mom drove the new Buick southward.  When  we arrived at Aunt Josie’s home,  it was very close to the street. Mom told us that we could play on the sidewalk up the telephone pole at one end of the property. Forest Avenue in Portland was residential and a busy with diesel trucks roaring by often that exuded black clouds and fumes. The trucks were big and scary looking and I associated the terrible smell with cities and suffering.  When Vicki and I were not running back and forth, counting the squares on the walk or visiting Grammy’s bedroom – we shopped in the “big city” of Portland. Coloring books and a box of 64 crayons gave the young artist in me a thrill!  Aunt Josie’s spinster sister asked if she could color a page and I said yes; although, she didn’t do a very good job as I recall.  That house was very much like the place I called home on Main Street, Saugerties for 38 years (September 1975 – February 2014).

Izah’s husband Richard Clark built a home and barn and chicken coop on the Conant Road (about 2 miles from town) in Fort Fairfield and in 1898, their first born Loomis arrived. Their claim to art appreciation was an authentic Tiffany lamp over the dining room table.  In 1907, Izah’s sister Eva died of a heart attack during childbirth, so Izah took “Little Eva” as if she were her own. She came home from the hospital in a small shoe box – a “blue baby” as she was called at that time because of birth complications. Eva’s husband, Orrin Bishop, City Manager of Presque Isle was not able to care for Little Eva but had her at his home every weekend when she was older. Later, in 1916, in Izah’s “change of life” period, my mom Kathleen was born during Loomis’s High School graduation ceremony – needless, to say, he didn’t have his parents in the audience. Little Eva was plagued with a weak heart, had several heart attacks and passed away at age 15 in 1922. Loomis left Aroostook County to pursue his dreams in California and landed a great job as an accountant for a big firm. He had his own office with a secretary as well. Many letters were written to Kathleen and Loomis sent her many precious gifts over the years during her youth.

The potato farming business, managed by my astute grandmother and my hard-working grandfather was very successful. My grandmother churned butter and collected eggs to sell at the market in town every week. “Firefly” a spirited and beautiful horse was harnessed to a sleigh and took the family to town in all seasons. (She once told my mom that she wished she had more time to spend with Kathleen as a child so they bought her a pony and a dog to keep her occupied. Izah worked many long hours as well as her husband who I am told had a short temper. He left for Michigan every winter to work as a lumber jack. In the winter of 1922, Kathleen nearly died of Diphtheria but God let her live – she said in her memoirs.) They lived next to Richard’s brother, Blanchard and wife, Laura Ashby Clark, whose son and daughter, Don and Ruth were artists.  As a little girl, my mom visited her artist cousins often to see their oil paintings on her way home from the little school house in neighborhood. Kathleen acquired a love of art and the smell of paints during these early years. Don and Ruth had attended the prestigious art school in Boston, the Massachusetts College of Art where Ruth graduated. To say the least, Don and Ruth Clark were “the talk of the town!”  (More on that later…) Potato farming was big business at the turn of the century in Aroostook County and continued for generations. In 1926, my grandparents sold their farm to Harold Conant to buy a larger one on Forest Avenue, 3-4 miles from town. (Harold got the Tiffany lamp, too!) My mom was 10 years old at that time.

As seen in the previous photo, the house was large and an accompanying barn was even bigger. There was granary and hen house on the property as well. My grandmother cooked three big meals a day for her husband and his hired man who lived in a separate part of the house. Little Kathleen remembered how her mom made bread and desserts everyday. She loved her pony, her pets, the apple orchard, a huge white rose bush, honeysuckle as well as rhubarb, strawberries,  hazelnuts and many other flowers on the property. She wrote in her memoirs that she had a happy and exciting life – especially her childhood. She remembers waking up in the night and feeling so blessed that she had such good parents and such a safe environment. “I thank God that I was so lucky,” she wrote. Her memoirs of childhood have been published in “Fort Fairfield: Its Time to Tell our Stories 1858 – 2008” Frontier Heritage, editors Rayle Reed Ainsworth and Sarah Ulman, 2008. ( I promised to have them published as well as some of my own in a book.  Mom passed away a year before it was done; but somehow, I think she knows.)

The bottom fell out of everything in 1929 – the Stock Market crashed. My grandparents lost all of their savings in the bank. Money for Kathleen’s college tuition was gone. Grammy asked Loomis to come home to help with the farm. (Rumor was that Loomis was enjoying too much of the “high life” in California anyway.) He returned and taught Kathleen, aged 14, how to drive a stick shift vehicle and immediately, she got her license for $2 (no test required.)  The family rallied financially and for Kathleen’s graduation present in 1934, she received a brand new Lafayette car. She toyed with the idea of going to hair-dressing school but began dating instead. (Evidently it was a full time job! ) My dad remembers seeing her driving that fancy car around town and it was love at first sight – at least this is my idea of it and it was her, not the car, of course!!)  In the meantime, Loomis married a local girl and they made their home at the homestead in the servant quarters. Loomis was gifted at drawing and Kathleen remembers a picture of Christ that he drew which remained in her mind for the rest of her life. She also remembered that Loomis had a drinking problem and his marriage failed. He died in 1940 at age 42 of pneumonia in the Bangor Hospital after getting sick on a train ride between Fort Fairfield and Boston.

My father George Bishop married Kathleen Clark at her homestead on Forest Avenue, Fort  Fairfield on June 29, 1938. She was 24 and he was 26 years old. He had been farming with his dad, Percy Bishop and mother, Lou Lou Harmon Bishop on their farm in Green Ridge (on the other side of town) and there was a small house on the property where they could live in the beginning. In 1940, they were chosen as “Typical Maine Farm Couple” a distinguished title since many couples in Aroostook County were nominated with the opportunity to win this position. They traveled to Springfield, Massachusetts to reign as the Jubilee King and Queen of the Potato Industry at the Eastern States Exposition. My father was interviewed on public radio and spoke intelligently of how he managed his crops (I have the transcript) and Kathleen was quoted in the Boston Globe how she faired as the wife of a successful farmer. Unfortunately, she was misquoted to make the article entertaining, but she was a stunning beauty so the photos of her made up for the mistakes in the article. My father was considered a handsome man – I have a huge scrapbook of newspaper photos and write-ups of the entire event where they were honored right along with famous celebrities of the day.

At that time, my maternal grandparents rented land to my father for the use of raising potatoes and after my grandfather died of a heart attack in 1944, Izah gave the farm to Dad and Mom. She said, “You have paid enough rent!” She bought a home in town on Elm Street where she could walk to the grocery store and to church. She was not interested in driving the Hudson Trail Blazer that her husband loved. My mother recalls her mother’s beautiful flower gardens in town – a love that was passed on to my mom but the tending of such did not appeal to me as a child and all through my life so far. Instead, I want to paint pictures of them!

Finally, the color pink was (sort of) a thorn in my father’s thigh since the time that my mother chose the color for all the buildings on their property during the 1950’s. It was supposed to be beige but when it dried it appeared more pink than beige. Early on, Dad had torn down the tall barn and built a long and large modern barn to house his many tractors, trucks and farm equipment and a stable for pleasure horses at one end. His hired man, Keen Haines helped him build a three car garage and a house for the harvest crew that came every fall to pick potatoes. The top section of the granary was used to house the rest of the crew. Previously, Dad had bought three more farms which had plenty of buildings on each one, 450 acres of tillable rich soil to plant crops and raise cattle and hogs, too. The animals were gone by the time I entered elementary school and all of the equipment was replaced with the most modern available. When I was little, I used to sit on the backs of some of the cows and Dad told me that he got too attached to them to continue that part of the business. My older brothers each owned a pleasure horse and I wanted one…at age 4 and 5, I drew pictures of me on a horse (still have one of those drawings) and I rode the saddles on a  wooden rack (built by Dad) the size of a horse in the barn…more on that subject of horses later.

We went on many vacations and when we returned the pinkish-beige buildings were a welcome sight to me. When we turned off the Houlton Road onto the Cross Road of Forest Avenue- the sight of many pink buildings in the distance thrilled my heart. It was my favorite color all through childhood!

 

 

Painting Roots are Calling!

A mindful trip back to my “roots” in northern rural Maine….

The love and the annoyance of painting outdoors began in my childhood. After receiving my first box of 24 pastels at the age of 12 in 1963, I was ready to follow in the footsteps of the masters that I had seen in books that my mother bought for me. As I think about this now,  I may have been the only kid in Fort Fairfield who would set up an easel on the front lawn in northern Maine to capture the front view of her home.

I had decided that I was an artist at age 6. This will be the subject for another day – right now,  I want to tell you about my first venture with my new pastels. In the rural area that we lived, there were no art supply stores. The nearest opportunity was in Bangor, Maine but the biggest store was in Lewiston – a two and a half hour drive south from my hometown. God bless my mother.  The sky was the limit when we shopped at that store.

Kathleen Bishop drove a 1959 white Cadillac with a gray roof. We piled a tall easel, oil paints, canvases, large wooden palette, large paper pad, brushes, drawing tools and that favored box of Grumbacher soft pastels in that “boat of a car.” Pastels were new to me and probably many adult artists as well…I was fascinated with the soft texture of the half sticks and the wide array of colors.  I couldn’t wait to get home to try them on the paper we purchased. (Sadly, the supplies were not the quality that we have today in 2014, but they were the BEST we could get back then.)

My mom was proud of her flowers that she cared for in a garden as well as those surrounding our homestead that her parents bought in 1926. When my dad acquired the farm (circa 1945), he reduced the size of the New England style home by cutting off the servant quarters which was attached to main house with a separate entrance on the left and the wrap around front porch with columns which gave it a stately appearance; albeit, old-fashioned. Dad modernized the side porch by enclosing it with seventeen windows for he was a carpenter as well as a potato farmer. My mom changed the paint color from white to pinkish-beige to my father’s chagrin a few years later. It was my pleasure and duty to reproduce on paper in pastels what we all were so proud of – a place called “home.”

The first thing I learned in the experience with pastels in the elements was patience.  Regardless of buzzing bees, occasional flies and the heat of the noon day sun,  I would render the scene as best I could with my eyes as guides and my trusty straight edge for accuracy. I found a shady spot under one of the trees next to the road to set up my easel and I sat in a lawn chair for comfort. The pastels rested in a box on my lap. Using my fingers to blend the soft pastels and the charcoal pencils for linear designs,  I completed the 12″ x 18″ pastel drawing in one sitting. Being a young artist, this was an accomplishment since I had no training in the medium nor did I know what to expect in the outdoors. I loved my new wooden easel even though it was cumbersome. When collapsed, it was almost six feet in height. It became my companion for the summer along with the other supplies when I wasn’t riding horseback with my younger sister Vicki.

My experience of painting in the front yard provided many dreams of being elevated to the tops of the trees for an aerial view of our home and property. Spiritually and psychologically, I felt empowered by attempting to reproduce what God created in my beautiful country environment. My roots were firmly planted in northern Maine and the sky was my limit!

 

Critique of Harry Orlyk’s artwork

Originally published May 17, 2011:

“My attraction to his [Orlyk] farm landscapes probably owes something to my own family history of potato farming in Aroostook County, Maine. My grandparents on both sides were among 6,000 farmers in that county in the 1930s and 40s…I have been so inspired by Orlyk’s work…I think this is what art is all about…it expands our own horizons when we meet an extraordinary individual like Harry Orlyk who is willing to share his love of life and his dedication to his art with everyone.”